Yet more Barcelona. Sorry.
Well, I am certainly using my blog a lot this week. Possibly because I don't quite know what to do with my evenings other than book, diary and internet. And because I actually have something legitimate to talk about...
Today I went to Santa Maria del Mar, La Sagrada Familia (best site I could find...sadly concentrates onl on the facade of the Nativity but the Wikipedia page has a pic of the facade of the Passion) and the medieval shipyard now housing the Museu Maritim, including seeing John of Austria's galley which was built there and was involved in the sea battle which (apparently) ended Ottoman rule of the Mediterranean.
Santa Maria del Mar is rather gorgeously austere inside and I liked it more than La Seu, I think. La Sagrada Familia...well, is astounding. I had only seen pics of it taken at a distance and they simply don't do it justice. For a start it is huge...and that's at only just over half the height it will eventually be. But mostly the detail in everything in it is just stunning...the carvings on the facades are a brilliant example and I think some of those photos gve you close-ups. Now, firstly let it be said that in general I dislike any religious architecture later than, say, 1700. :) I'm a medieval girl where churches are concerned. But somehow Sagrada Familia gets past the uncomfortableness I usually feel when confronted with cuboid-headed Jesuses suspended from curiously skewiff crosses. Because, somewhere along the line, it just gets it. Something about the symmetry, and the asymmetry, and the way that things flow into other things...it feels like a church. Not some 'let's make religion look cool for the kids' modern rubbish that I feel so uncomfortable with. The interior of the naves, with columns branching like trees and gilded mosaics on the ceiling, is beautiful and pure. The carved marble doves on the tree of life are absolutely perfect, caught in flight. Jesus lecturing the doctors (that's a translation...I can't remember that bit of the Bible too well...:/) looks like a precocious but brilliant child. And most of all the words! Words everywhere. Spanish and Latin, crawling all over the building...the Ave Maria carved into the stone around the recess containing her statue, the words of the New Testament on the doors through the facade of the Passion, 'hosanna' and 'excelsis' on the tops of the spires...ahh. Yes, I liked it. Can you tell? I will have to come back in 2020 or whenever it will finally be finished...although judging by the progress made in the last century it may not be finished in my lifetime...
The Museu Maritim was...well, it was okay. I would have benefited from a little more information in english...I got an audio guide in engish but would far have preferred there to just be a little english version of all the notes beside each item. John's galley is magnificent...if dreadful - looking at it and thinking about galley slaves was somewhat uncomfortable...were galleys used into the C19th? Because if that's the kind of 'galley slave' that Valjean is in Les Mis...*shudders* The other reason I went to this museum is that it currently has a display of objects excavated from Pompeii. Fascinating, and also frightening in that they have the plaster moulds of the dead people and dog that are so well-known...but all it really did is make me decide I must actually go to Pompeii one day.
Tomorrow I think I shall attempt to make it to Montserrat.


10 Comments:
What did I tell you, eh?
I can never decide which half of the Sagrada Familia I like the most. Art Nouveau or gothic? Maybe it just appeals to my schizophrenic nature (though Keppet disagrees).
Somehow the fact it is still being built helps add life to it. I'm not as interested in history as I am in future. It would be nice to see it completed one day though.
Halves as in the facades? I like both of them. Which one is which? I'm useless at art terminology. I love the way that above the central doors on the nativity side the greenery turns into birds in flight as you go up without you really realising how...but I also liked the sheer power of the Passion.
As to the incompleteness lending it life, though...mostly I found it lent it a lot of builders drinking tea.
Uh yeah- good point as I don't really know art terminology either. I thought the smooth sleak facade (Passion?) to be Art Nouveau and the knobbly facade (Nativity?) to be gothic. But I really don't know having had no training...
I remember the greenery and the birds (I may even have a picture somewhere... in the absense of a diary, pictures work well too) but don't know what you mean by turning...
Ah, there are two sets of greenery and birds - I didn't mean the obvious one, and I don't know which one you mean. I meant...if you go to the first link I posted, the pics beside 'The Annunciation and the Coronation of the Virgin' kind of show it. The stuff on the stones surrounding the scenes...it's greenery lower down, but changes to a hint of birds in flight higher up. At least I assume that's what was intended. I like it, anyway.
*squints*
Yeah, I guess so. Hmm. I obviously need to go back and bask in it some more.
It was the "obvious one" I remembered.
Oooh, aren't the dead plaster people horrible? There's a whole room full of them at Pompeii. It's very disturbing.
Rian has always wanted to see Pompeii, dead plaster people included. Perhaps especially the dead plaster people.
Is this something I should not admit?
No, I don't think so - I want to see them too. I mean yes, the three I saw the other day were very disturbing - the writhing dog especially - but isn't that kind of the point?
Blogger went down last night so you got no account of Montserrat. Maybe I'll make it up to you tonight. ;)
*grins*
Okay, I think I am only getting previews because skit wants to vent and give everyone a _nice_ version... I am the virtual punching bag, aren't I?
No ahh the pain.
But I like it.
*bites lip*
Indeed.
Can I punch you more?
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